Miriam Adams, Co-founder/Director of Dance Collection Danse, is a graduate of the National Ballet School and former dancer with The National Ballet of Canada. She and her late husband, principal dancer Lawrence Adams, went on to teach, choreograph and found 15 Dance Laboratorium, Toronto's first experimental dance venue. The Adamses became publishers, producing the newspapers SPILL and Canadian Dance News, and created Visus Foundation, established to videotape dance activity in Canada. In 1983, they initiated the ENCORE! ENCORE! reconstruction project, designed to rescue Canadian choreographic works created in the 1940s and 1950s. This led to the founding of Dance Collection Danse, Canada's national dance archives and publishing house. Miriam Adams has overseen the publishing of 39 books and is the Publisher and Editor of Dance Collection Danse Magazine. She has been a board member of the Toronto Arts Council, the Dance Umbrella of Ontario, the Nightingale Arts Foundation, Artscape, Judy Jarvis Dance Foundation, the Dancer Transition Resource Centre and was named Adjunct Professor at York University in 2006. She received a Dance in Canada Service Award; a Mayor's Medal of Service; and, with Lawrence, the Dance Ontario Award for her contributions to dance. In 2009, she won the Rita Davies and Margo Bindhardt Cultural Leadership Award. Miriam was appointed to the Order of Canada in 2011 and is a recipient of the Queen Elizabeth II Diamond Jubilee Medal.
DCD Co-founder Lawrence Adams passed away in 2003. To learn more about Lawrence and the beginnings of Dance Collection Danse, CLICK HERE.
Director of Collections and Research
Amy Bowring holds an honours B.A. in Fine Arts Studies from York University and a Master’s degree in Journalism from the University of Western Ontario. She is the Director of Collections and Research at Dance Collection Danse where she was mentored by founders Lawrence and Miriam Adams, and has been involved with the organization in various capacities since 1993. She is one of Canada’s foremost advocates for the study and preservation of Canadian dance heritage.
A dance writer and historian, she is also the founder of the Canadian Society for Dance Studies. She has written historical essays and articles for books and magazines including the Canadian Encyclopedia, International Dictionary of Modern Dance, Encyclopedia of Theatre Dance in Canada, Dance Chronicle, Right to Dance: Dancing for Rights, Canadian Dance: Visions and Stories, Renegade Bodies: Canadian Dance in the 1970s and The Dance Current, where she was also the copy editor for 13 years. She has curated virtual exhibitions on dance artists Nancy Lima Dent and Alison Sutcliffe and curated several live exhibitions including Dancing Through Time: Toronto’s Dance History, 1900-1980 and Canada’s Pre-eminent Showman: The Artistry of Alan Lund. She guest lectures widely and teaches dance history in Ryerson University’s theatre program.
Amy is a co-recipient of the 2002 Toronto Emerging Dance Artist Award for her work as a dance writer. She was a board member for Dance Media Group, sat on the steering committee that founded the Canadian Dance Assembly, and has served as a member of the Discipline Advisory Committee for Dance at the Canada Council for the Arts. She is currently on the Advisory Board of the international journal Dance Chronicle.
Jay is a leader in the Canadian professional dance community with management experience in Toronto, Vancouver, Montreal, and Winnipeg. Jay has a history of leading companies to new levels of success financially and organizationally. His expertise extends to strategic planning, programming, human resources, touring, board development, financial management, marketing and PR, government relations, design and production. He has worked as Executive Director of Ballet BC, Coleman Lemieux & Compagnie (CLC), as directeur général at BJM Les Ballets Jazz de Montréal, Managing Director of Toronto Dance Theatre, and as a manager for many dance organizations across Canada. Jay continues to work with CLC, independent dance artists, and as producer for theatre artist Tomson Highway.
Originally from Windsor, Ontario, Pamela Grundy has spent her life in dance as a performer, teacher, director, preservation advocate, curator and fundraiser. She holds a Hon. BSc in Kinesiology from the University of Waterloo and is a graduate of the Museum Management and Curatorship program at Fleming College. Pamela is widely known for her thirty-year association with the Danny Grossman Dance Company as a featured performer, Associate Director and from 2000-2008, Co-Artistic Director. She has served the dance community through various boards and committees including the Dance in Canada Association, the Judy Jarvis Dance Foundation, the Toronto Arts Council and Dancers for Life. Before accepting the position in 2011 as Development Coordinator, she was a long-time DCD board member and chair for three years. The DCD exhibition, Rocking the Boat: Celebrating Queer Content in Canadian Concert Dance was curated by Pamela in 2013.
Sebastian Ignacio Oreamuno grew up in Squamish, B.C., and has spent the past 14 years travelling, going to school and dancing. Although he is passionate about dance, his general love of the arts began at a young age. As an introvert, artist and academic, he uses the creative process to reflect and recharge, and enjoys creating works of art that can be admired superficially as well as generate conversation and introspection. Sebastian graduated from Simon Fraser University with a BA in Psychology with Distinction, and completed a MA in Dance at York University in 2016.
Prior to entering his role as Marketing & Sales Manager for DCD, Michael worked as the director of Sales, Marketing & Circulation at The Dance Current magazine. Also an accomplished graphic designer Michael maintains DCD's website and has laid-out 5 books for Dance Collection Danse Press/Presse. Through his design company Believe It Design Works and his private sector work with Pipeline Communications, Michael has developed creative solutions for Theatre Direct, The Canada Council for the Arts, The Heart & Stroke Foundation, Labatt's Brewery, Canadian Tire and Canadian Contemporary Dance Theatre.
Cindy Brett graduated from York University with a BFA in dance and English literature. While at York she became involved with the student publication Moved to Speak and was an editorial intern for The Dance Current. In 2012 she joined DCD as a volunteer and is now a member of the collections management team. As the archives associate and volunteer coordinator, she spends her days preserving and maintaining the collection, as well as creating online content and managing DCD’s volunteers. She has been published by Dance Collection Danse Magazine and The Dance Current, where she is also the copy editor.
MIRIAM AND LAWRENCE ADAMS
In 1983, under the banner ENCORE! ENCORE!, research was begun into choreographies created by Canadian dance artists working in the 1940s and 1950s for the purposes of preserving their works through reconstruction, notation, videotape and photography. (READ MORE)
BEHIND THE SCENES
Like most successful organizations, DCD has relied on the leadership, time and guidance of a great many people. It is no coincidence that many of these individuals served on our board or honorary advisor list. Our current board, chaired by acclaimed author and dance historian Carol Bishop-Gwyn... (READ MORE)
LIVING CANADIAN DANCE
DCD simply could not do what it does without the support of its team of volunteers. If you love dance, and have the time and energy, we could use your help. Whether it's hands-on with the collection or front and centre at a live event, there are many ways to make a difference. Fill out the form HERE and start today!