Dancemakers alumni (artistic directors, dancers, choreographers, designers, production staff, managers, etc), particularly from the first 30 years of the company’s history, as well as the public, are invited to help complete identification of the Dancemakers photographic collection in the DCD archives. Images will be projected and notetakers will record information. The event will also be video recorded for DCD’s collection.
Bri Clarke is the 2024 recipient of the Miriam Adams exploration bursary. Ms. Clarke is a performer, producer, dramaturg, choreographer, and movement teacher, based in Tkarón:to.
Because dance was the fastest growing art form in Canada during the 1970s, 50 years later, DCD is facing the greatest demand in our history to care for the archival materials of the artists from the 1970s dance boom.
Join Amy Bowring for a conversation with artist, educator, and scholar Collette Murray. Collette will discuss her Ph.D. research on dance education and anti-racist dance pedagogies.
In 1978, on a quest to establish a prestigious dance institute in their new home of Vancouver with a goal of artistic excellence and cultural awareness, the Gohs founded the Goh Ballet Academy.
Constance V. Pathy studied law at Leiden University in her native country of The Netherlands. Before coming to Canada in 1960, she spent a year in New York on a United Nations scholarship. In Montreal, Ms. Pathy became involved in the city’s cultural scene, serving on boards of numerous organizations
DCD encourages its followers and supporters to take time to recognize the history and contributions of First Nations, Inuit, and Métis peoples from across what is now Canada.
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