Bound Books
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NOW Available! Written by Allen Kaeja Foreword by Karen Kaeja I Found My Dance in a Bomb Shelter: Anecdotes of Gratitude from A Life in Dance is filled with stories about the people and encounters that have shaped Allen Kaeja as a son, brother, husband, father, and artist. From childhood antics to youthful years of elite…
Beginning in 1973 until 1989, Dance in / Danse au Canada magazine rolled off the presses four times a year. National in scope, this intelligently written and artfully designed publication reviewed professional performances, incited debates about cultural policy, and showed Canadians the beauty and achievements of their own dance artists. Dance Collection Danse Press/Presse has…
By Michael Crabb Arnold Spohr is outspoken, ambitious, demanding, uncompromising and even combative when it comes to dealing with those whose dedication to the arts falls short of his own. He’s also one of the most honoured, respected and loved figures in the history of Canadian dance. Artistic Director of the Royal Winnipeg Ballet for…
Editor: Aline Gélinas Translator: Lynne Carson Jean-Pierre Perreault was one of the most creative forces in Canadian dance. More than a choreographer, Perreault brought to his work a vibrant interest in art, architecture and music. His 1983 ensemble work, JOE, has deservedly become a Canadian classic and his exploration of space and the dancer-audience relationship made…
By Leland Windreich TIMING IS EVERYTHING! Whatever timing is – coincidence, fate, chance, destiny, divine will or just plain chaos at work – in 1934 all its components came into play on the Vancouver dance scene. Two adept women, Vivian Ramsey and Yvonne Firkins, were planning a theatre arts school … June Roper arrived in…
By Felix Cherniavsky What THEY said about Maud Allan: … “a musician”… “a dancer”… “an Isadora rip-off”… “a harlot”… “a lesbian”… “a femme fatale”… “a fake”. She was all these and much more. To know Maud Allan is to understand the frenetic energy and anxiety of the fin de siècle – the burning desire for freedom…
By Max Wyman Max Wyman’s not a bad guy, he’s just a critic. Dance is central to his life. He eats, sleeps, talks, thinks, dreams and writes about dance. He makes it his business to see all the dance he can. As Wyman himself declares, “no other art form speaks so directly about the ephemerality…
By Amy Bowring Foreword by Des Walsh Author Amy Bowring’s literary portraits vividly illuminate the histories of dancers who participated in “Navigating Home: The Newfoundland and Labrador Dance Project”. This endeavour gathered Newfoundland dancers from home, with those who live away, to engage in movement explorations with celebrated choreographers Christopher House and Anne Troake. The…
By Amy Bowring Foreword by Des Walsh Author Amy Bowring’s literary portraits vividly illuminate the histories of dancers who participated in “Navigating Home: The Newfoundland and Labrador Dance Project”. This endeavour gathered Newfoundland dancers from home, with those who live away, to engage in movement explorations with celebrated choreographers Christopher House and Anne Troake. The…
By Sara Porter Peter Boneham is Canada’s longest serving artistic director in dance. Founding member of Le Groupe de la Place Royale and founding artistic director of Le Groupe Dance Lab, Peter has established an unparallelled legacy of choreographic mentorship. Born in Rochester, New York, Peter trained in ballet, later moving to New York City…
Coleman Lemieux & Compagnie Reconstructing Fifteen Heterosexual Duets by James Kudelka Photography gallery: Michael Slobodian In celebration of a great Canadian dance work, this book offers a feature essay by artistic director Laurence Lemieux, along with intriguing thoughts and observations by some of the dancers who participated in the reconstruction of James Kudelka’s master work….
Edited by Allana C. Lindgren and Kaija Pepper Comprising 15 essays by Canadian writers and scholars, Renegade Bodies is a book that embraces lively discussion about artistic and cultural shifts along with the social and political transformations of the 1970s. How were dance and its practitioners affected by the vigorous and varying beliefs, the principles…
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