Grant Strate’s choreography brought an original Canadian perspective and a contemporary aesthetic to the repertoire of the National Ballet, but his contribution as an educator and nurturer of choreographic talent has been even more important for the development of Canadian dance.
Betty Oliphant, C.C. was born in London, England in 1918. She had a passion for dance and fought her middle-class British family for ballet lessons. In the late 1920s and ’30s, she studied ballet along with stage, tap, and ballroom dancing.
A performer of acclaim in both Canada and abroad, David Moroni is also founder of Canada’s Royal Winnipeg Ballet School Professional Division. He has dedicated the majority of his life’s work to the education of dancers, and his dance legacy encompasses his work behind the scenes where he taught, coached and nurtured generations of dance artists at the Winnipeg school.
Constance V. Pathy studied law at Leiden University in her native country of The Netherlands. Before coming to Canada in 1960, she spent a year in New York on a United Nations scholarship. In Montreal, Ms. Pathy became involved in the city’s cultural scene, serving on boards of numerous organizations
Celia Franca was born in London, England in 1921. She began her ballet studies at age 4 and was a scholarship student at the Guildhall School of Music and the Royal Academy of Dancing. She performed with Ballet Rambert before joining Dame Ninette de Valois’s Sadler’s Wells Ballet (now The Royal Ballet) in 1941
He was resident choreographer and a leading dancer with Toronto Dance Theatre (TDT) from 1979-2020, with 26 years as the company’s artistic director. He created over 60 works for TDT, opened the repertoire to new and diverse voices, and developed programs in education and support for young choreographers.
Nadia Potts began studying dance at age seven with Betty Oliphant and went on to train at Canada’s National Ballet School. In 1966, at age 18, she joined the National Ballet of Canada and, three years later was promoted to principal dancer, a position she held for the next 17 years.
In the spirit of 15 Dance Lab and Adams’s own work, this bursary, supported by William J. S. Boyle, offers emerging professional dance artists an opportunity to train, research, and investigate, with a financial commitment to help ease the burden of advancing their professional career
DON’T MISS THE PARTY! Tickets for the 2024 Hall of Fame celebration are now on sale! Join us as we honour the best in Canadian dance.
Since its earliest days, DCD has used technology to preserve and share the collection. From co-founder Lawrence Adams’s desktop archiving system in the 1980s, to publishing e-books in the 1990s, to virtual exhibits in the 2000s.
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